violinist + violist= violanist

¡Hola!

Welcome to the blog of the average violanist! I have decided to make this blog because I always have these amazing practising ideas always pop into my head and I just really want to share these ideas with others like me! Please follow and I will be updating as much as possible!

Gracias,
Kt


Wednesday, April 10, 2013

Violin

This was an article that for some reason, didn't get published, so here it is!

Yesterday and last Friday, I went to my first Suzuki workshop. There were so many people there! Ranging from all ages, and all Suzuki books 1-5 and advanced peices too like Sicillienne.
However, believe it or not, the little kids and everyone else are ahead of me! Why? Because I started with orchestra music in eighth grade! I didn't even know most of the suzuki peices by memory!
So after the concert, I became inspired to completely learn & memorize all Suzuki peices from books 1 and 2. By doing this I infered:

-I would become a better violinist because it would help build my memorization skills

-By next year, I would completely know most of the peices by heart.

My practicing ideas:

Starting from Suzuki volume 1, every week I would have a suzuki violin song every week that I will have to learn and memorize.  For example, the song of the week would be Lightly Row or May song. By the time the week has finished, I would completely know the song by heart.





Terry Durbin's website:

http://www.timothydurbin.com/Site/Welcome.html













Link to another practice blog!

So, I just got an email for registration that strings camp registration deadline is the 19th of this month. It's a great camp in NC, it lasts a whole week!
So I scrolled down (it was a long email), and I found a link to a practice blog! I don't know how to follow it, so I will just save the link here for myself and anyone else! Does anyone know how to do that?

http://www.privatelessonmatters.blogspot.com/







Friday, April 5, 2013

Everyone is Different!

I love listening to the Four Seasons! One of my favorite movements is movement 3 (presto) from the summer concerto! Why? Because it is so fast, and it requires a ton of effort to be able to play it! I love listening to my favorite virtuosos play this movement because they all play how they see a summer storm (that's another name for that movement!) in their perspective!
I have picked 5 of my favorite virtuosos! All of them are playing the same movement! I can't decided which one I like best! Enjoy!


You can tell that Janine Jansen told the orchestral accompaniment to play strong and make sure this movement would suck out the energy of every string player! Janine Jansen has added double stops to her solo! That is genius! Janine Jansen is an extremely hardcore virtuoso violinist!


There are 2 movements shown in the video, it's the first one that's the 3rd movement that we are focusing on! Anne-Sophie Mutter hates blending in! She wants everyone to know of her existence! Anne-Sophie Mutter has extended the notes! She uses more bow! She makes her violin sing in the extremely rapid parts of the movement! This is music!


This is the first video that I listened to of a virtuoso playing the 3rd movement. I love all of these virtuosos to death, but I love Sarah Chang the most of them all! I am most inspired by Sarah Chang! Unlike Anne-Sophie Mutter, Sarah usually blends in rather than standing out (another good example of this is her performance of the winter concerto!). I love that!




Like Janine Jansen, Joshua Bell has added double stops to his performance of the 3rd movement!  Like Anne-Sophie Mutter, he makes his violin sing in the first solo after the first tutti! Look at him go!


Itzak Perlman has slowed down the tempo a little bit! I love this because it allows the audience to absorb the pure beauty of the notes even more than if the 3rd movement is being played at it's normal quick tempo! Slowing down the tempo has allowed Perlman to add in a little more variation to his solo parts!

NEXT EXAMPLE: CARMEN'S FANTASY!



CARMEN'S FANTASY! I LOVE THIS! I want to learn to play this so badly!
Anyway, Sarah Chang! This is her version of Carmen's Fantasy! You may notice that Sarah Chang had to mash up this 12 minute violin concerto into a 5 minute music video! I love this music video! Obviously, she blended in!



Notice the contrast between the two virtuosos! Anne-Sophie Mutter is performing the full concerto! Notice how she has slowed down the tempo in order to add her own variation to the concerto!

EXAMPLE 3: THAIS MEDITATION!


Joshua Bell's performance.

Sarah Chang's performance. I cried when I first heard this. No joke!


Janine Jansen's performance. One of the best out there! 

Itzak Perlman's performance!



Anne Sophie Mutter's performance!



Staying Focused While Practicing

When you are practicing, have you ever just lost track of what part of a piece you are practicing? Do you ever just start practicing a section of the piece and just trail off and play the piece until you get to the end of it? This is very common, especially for me! I have always found these tips helpful whenever I practice! I'm not going to say that they are my own because I'm very sure that other people have come up with these ideas way before me! 


1. Set a goal: Let's say you usually practice for 30 or up to an hour (or maybe more!). Let's say you are practicing something as difficult as maybe Bach's Concerto in A minor. It is impossible to master that piece in a day! At least that is how it is for me! This goes for all pieces that are the same level of difficulty, or maybe even harder.
My friend told me that you just can't say to yourself, "today, I want to learn to play all of this!" 
You have to set a goal! 
I have to learn Bloch's Meditation for viola because I have to record it so I can be in this certain awesome ensemble group. Being that the person that wants the recording wants it ASAP, I thought to myself, "hmmm, well spring break goes from March 29th to April 8th. I bet I could learn the piece in at least 5 days if I focus! I could count how many measures there are in the piece and then I could divide that number by five! That's perfect! I will make a checklist of what to learn each day! Sounds like a plan to me!"
This plan is helpful for any work you are studying because it allows you to focus on certain part of the work and master it! 
Another thing I do is I make a this-week's-practice-priorities checklist for both violin and viola. This helps me know what I need to focus on throughout the week. 
Also, make sure these goals are attainable. I go to high school, I have homework too, so my parents only let me practice for half an hour after I come home from school, so I only get 15 minutes of practice on each instrument! That is so little! I tell myself, okay what can I do in 15 minutes? For violin, I will usually practice my scales for 5 minutes, then for 10 minutes, I will practice a small section of a piece I am working on. Same goes for viola.

2. Make a checklist out of your peice: This does not fall into the same category as tip #1 because it's making a checklist out of your piece! I do this to a lot of my pieces! Observe the picture:


Do you see on the side next to each clef, a little box, some with a little check inside of them? Those are where the check boxes are supposed to go! What I find so cool about this idea is depending on how much you want to learn each day (let's say you want to learn 3 lines a day), there are two ways of mastering this! You can go through the piece in an orderly fashion from top to bottom of the page. Another way you can use the checklist is you can do random lines without worrying about the order. I usually do this randomly because I usually want to master a piece in at least two week's time, and I want to master the hard parts of the piece first before I master the really easy parts. I sometimes go through a piece and go "WHOA! That line looks really hard! Must master it!" I usually get it.
Before checking off each line, I ask myself 3 questions:
"Did I get the fingerings down?"
"Is my bowing correct?"
"If Sarah Chang (AH! MY IDOL!) was listening to this, would she be impressed, would she find this boring, or would she not want to listen to it at all?"


Then I check it off!

3. The power of a piece of paper: A piece of paper can have a printed piece on it, you can do your homework on it, you can read it, you can make a checklist out of it! What else could you do? Use a piece of paper to cover other pieces of paper, of course!


Before I came up with this idea (I'm very sure someone has come up with it way before I did!), I would always be playing a certain part of a piece and instead of focusing on mastering those certain couple of measures, two things could happen to me. I would either be like, "WHATEVER! I'll ask my private teacher for help on this & everything will be fine! NEXT MEASURE!" or I would just play until I got to the end of the piece! This is wrong! 
One day, I decided that I wasn't getting anything done and that enough was enough! I thought to myself, "I have to stay focused on this certain part or I will never master it!" I looked around my room and noticed my gigantic stack of loose-leaf paper. I grabbed a piece. I covered the whole music piece with that piece of paper. What I do is I have one line of music shown and the rest of the piece is covered with the sheet of paper. This allows me to focus on one line of music and not trail off! When I think I have mastered the line, again I ask myself the three questions:
"Did I get the fingerings down?"
"Is my bowing correct?"

"If I had to audition and play this certain line, would the judges be impressed? Or would they just be like 'uuhhh....YOU CAN GO NOW!'?"


Practice tip #3 is usually a tip you could use if you really need to stay focused and practice tip #2 just doesn't work at all! 
I hope this helped! Happy practicing!